In 1949 he graduated from the School-Studio im. Vl. Nemirovich-Danchenko and joined the troupe of the Central Children's Theatre. Among roles: Vladimir Chernyshev, Kostya Poletayev and Alex ("Her friends", "Pages of Life" and "Good Luck!" Pink).

Efremov carefully analyzed the spiritual, moral character of the young contemporary. In 1955 he began directing this work. Since 1956 the main director and actor of "Contemporary". Plays raised Ephraim – Eternally Alive Rozov (1957), The Decembrists L. Zorina, "Volya" Svobodin, "Bolsheviks" Shatrova (all in 1967) distinguish the desire for citizenship, a keen sense of time.

Ephraim – actor and director are always interested in improving the theme of moral rights. A brave performance lyricism characterizes images Borozdin, Jr. (1957) and senior (1961), in the play "Forever Living".

Satirically sharp and accurate images Ukhov ("elder sister" Volodin, 1962), Nicholas I ("Decembrists"). Since 1970, Efremov actor and producer, Moscow Art Theatre. His debut performance "Dulcinea del Toboso" Volodin (1971, played the role of Louis).

Since 1954, Efremov shot in cinema: the investigator ("Beware of the Car", 1966), the taxi driver ("Three Poplars at Plyushchikha", 1968), Koshelev ("Own", 1970), Polynin (The Case of the Polynin ", 1971) and etc. USSR State Prize (1969).

Lit.: Benyaga R., Oleg Efremov, "Theatre", 1967, № 6.

Studied at the English school, and later moved to the mathematics class.

Entered the Engineering, Alexander had his second year began to look for some of his theater – went to the national theater reader, tried to enter a theater school and three years later, competition was once in Moscow Art Theater and GITIS. After working for years as an engineer since the end of MIIT, he entered the Moscow Art Theatre School at the rate Popov.

At the end of the 1985 Moscow Art Theatre School Alexander Rezalin along with three classmates had been invited by Constantine Raykin theater "Satyricon." Having worked with Karl Raikin 4 years, at the invitation of Rezalin Gregory Gurvich moved to the theater-cabaret "Die Fledermaus". There, Alexander first began to sing – live music, with a microphone. It was also a lot of dance numbers.

Last March, Alexander combined the work there with the work in the theater of the Moon, where finally passed in 1995.

Currently, Alexander can be seen in plays such as "Paris-awake" (La'teatr), "Memorial Prayer, or Fiddler on the Roof" (Music Theatre n / p V. Nazarov), a new musical play "Jolly Fellows" and etc.

Alexander Rezalin about himself: "Is it easy to be an actor? It's like asking, how easy is it to live in this world. I'm at it I can not answer. Sometimes it is easy and pleasant, sometimes not. But none other I have not been, except for one year of work as an engineer, so comparisons are not particularly anything. But I myself do not feel very much a man of artistic medium. I do not like it when artists are artists in life, I think that this is bad form. I was brought up by such teachers, as, for example, AA Popov, who in life was a very unpretentious man, and my ideal – an artist who, after the play is not visible in the crowd … "

There are currently busy in the play "Paris-awake" (by Jean-Marie Chevry) http://www.lateatr.ru/Poster.htm.

In 1925 – 1931 he worked in puppet theater at the Central House of artistic education of children. Since 1931 the actor of the Central Puppet Theatre (one of its founders).

Among roles: Aladin and Wise ("Aladdin's Magic Lamp" Gernet), Entertainer ("Unusual Concert"), Satan ("Noah's Ark" stocks), etc.

Put: "Likes not like" Polyakova, "Pinocchio" Borisova, etc. The author of plays: "The Case of Divorce," "Under the rustle of your eyelashes," "I-ho-ho!", "Soldier and the Witch" (by Andersen) etc.

He was awarded the Order of Labor Red Banner and medals.

Cit.: Actor puppetry, M., 1965 Story about a strange genre, M., 1971.

In 1974 he graduated from the acting course of the Leningrad State Institute of Theatre, Music and Cinematography, the head of the course – People's Artist of the USSR and Russia Igor P. Vladimirov.

In 1972, another student, went on stage Lensoviet in the role of Daniel in the play Vladimirov "doors slammed next to such artists as Alice Freundlich, Anatoly Ravikovich, Galina Nikulina. Upon completion of the course became an actress "lensovetovskoy" troupe. Thanks s remarkable scenic talent quickly became one of the leaders of the troupe. In 1984. awarded the honorary title "Honored Artist of the RSFSR"

In 1999. – "People's Artist of Russia".

Theatre work

In the 70 th – 80 th years in the repertory actress had the role: Princess ("Il Trovatore, and his friends, it was during work on the play's heart Larissa conquered Troubadour – Mikhail Boyarsky, since they are together, they have a son and daughter and now granddaughter), Gerda (Snow Queen "), Bloch (" Lefty "), Nina (" The Elder Son "Vampilova), Valentine (" Last summer, in Chulimsk "Vampilova), Polly Peacham (" The Threepenny Opera "by Brecht -Weil), Lady Milford ("Intrigue and Love" Schiller).

There are currently engaged in the play "Intimate Life" (by N. Couarde) http://www.lateatr.ru/Poster.htm.

In 1974 he graduated from the Leningrad State Institute of Theatre, Music and Cinematography (Class IV in Vladimirov) and was admitted to the troupe Lensoviet. Going into 1986-88 GG probation on a class of direction under the guidance of P. Vladimirov, qualified as a director. A few years was the second teacher of acting in the course of IP Vladimirov in LGITMiK.

In 1993 he was awarded the honorary title of Honored Artist of Russia.

2008 – People's Artist of Russia.

There are currently busy in the play "Intimate Life" (by N. Coorada) http://www.lateatr.ru/Poster.htm.

In 1794 debuted with great success. Celebrity Kolosova gave artistic fulfillment "dramatic" roles in the ballets.

Didelot gave it is always the best and the strongest roles in his ballets, "Raul de Crequi", "Phaedra," "Altsesta," "Theseus, and Ariadne", "Hungarian hut, etc.

Also successfully performed several times in Kolosova dramas and comedies.

The scene was left in 1826

See "Memoirs of A. Karatygin" ("Russian Vestn." 1881, № 4) and biography, in the repertoire of the Russian Theatre "(1842, Bk. IV).