<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Russian Actors &#187; culture</title>
	<atom:link href="http://actorsrussian.com/tag/culture/feed" rel="self" type="application/rss+xml" />
	<link>http://actorsrussian.com</link>
	<description>Biographies of famous Russian actors, artists and educators.</description>
	<lastBuildDate>Tue, 25 Jan 2011 21:30:58 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.1</generator>
		<item>
		<title>Biography Holodnaoy Vera Vasilyevna</title>
		<link>http://actorsrussian.com/biography-holodnaoy-vera-vasilyevna.html</link>
		<comments>http://actorsrussian.com/biography-holodnaoy-vera-vasilyevna.html#comments</comments>
		<pubDate>Tue, 25 Jan 2011 02:34:42 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[actress]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film director]]></category>
		<category><![CDATA[picture]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-holodnaoy-vera-vasilyevna.html</guid>
		<description><![CDATA[Born Aug. 9, 1893 in Poltava. Prior to her marriage &#8211; Levchenko. Her father &#8211; Vasily A. Levchenko, graduated from the Department of Philology of Moscow University and arrived in Poltava work as a teacher. Mother &#8211; Ekaterina SLEPTSOVA was a graduate of Alexander &#8211; the Mariinsky Institute for young ladies. Vera was two years [...]]]></description>
			<content:encoded><![CDATA[<p>Born Aug. 9, 1893 in Poltava. </p>
<p> Prior to her marriage &#8211; Levchenko. </p>
<p> Her father &#8211; Vasily A. Levchenko, graduated from the Department of Philology of Moscow University and arrived in Poltava work as a teacher. </p>
<p> Mother &#8211; Ekaterina SLEPTSOVA was a graduate of Alexander &#8211; the Mariinsky Institute for young ladies.<span id="more-195"></span> </p>
<p> Vera was two years old when his family moved to Moscow. In 1903, when she was ten years old, she was learning in a private school Perepelkin. Soon, Vera, in spite of huge competition, entered the ballet school, but was quite full, and my mother called her &quot;Poltava dumpling. But after a year, her parents took her out of school. </p>
<p> At a ball on the occasion of graduating from high school, Vera met with the student &#8211; as a lawyer Vladimir Cold. Several months later they got married in friendly disapproval of both families. Two years later the family our daughter was born Eugene (born 1912). A year later the family adopt a girl Nonna. The family lived very modestly, but, fortunately, there is a new popular and inexpensive entertainment &#8211; motion picture. Faith they are very interested and she wanted to try to force it. </p>
<p> In 1914 in film. </p>
<p> The first (casual) role &#8211; adaptation of &quot;Anna Karenina&quot; directed by Vladimir Gardin. </p>
<p> In 1915 he starred in Eugene Bauer in the movie &quot;Song of Triumphant Love&quot;, where she played Helen. This role brought the actress widely known. </p>
<p> Last year she starred in Khanzhonkov in 13 films. She had to support his family, because husband was at the front. </p>
<p> In August 1915, Vera went to the front &#8211; in the hospital, nurse a wounded husband. Vladimir went on the mend and they returned to Moscow. A few days later, Vera immediately went to the shooting in Sochi, and in mid-October, her husband, even after recovering from injury, asked back to the front. </p>
<p> For four years cinematographic life Vera Cold starred in 35 films from directors: E. Bauer, P. Chardynin, V. Viskovskogo, C. Sabinsky. She was called the queen of the screen. She became a trendsetter. </p>
<p> In 1917, the screen went out one of her best films &#8211; &quot;By the fireplace. This film had exceptional success with the public (under the Soviet regime it was destroyed, like hundreds of other popular pre-revolutionary films). </p>
<p> In 1917 Vera appeared in 11 films. </p>
<p> She offered many times to leave Russia. She was popular abroad. Her movies were in Europe, America, Turkey and even in Japan. She was offered a contract for 10 years in Germany, she was called in France. But it all offers refused. She said that her place in Russia. </p>
<p> At the end of the summer of 1918, the actress arrived in Odessa on dosemki movie &quot;Princess Tarakanov&quot; together with the eldest daughter, Zhenya. But the crew of the &#8211; for the intervention had to stay in Odessa for six months. February 8, 1919, Vera became ill with &quot;immortal&quot; &#8211; a special form of influenza, which was complicated by pneumonia. She was ill for nine days. February 17, 1919 it was gone. </p>
<p> Vladimir Cold lived without his wife just two months. He is not sick, but just quietly faded &#8211; of a broken heart. &quot; Soon died and his mother Vera, and orphaned daughters of actress relatives taken abroad, where they disappear. </p>
<p> Embalmed body of the actress that as soon as possible, as soon as the Allied troops will leave Odessa, transported to Moscow. The coffin with the body of an actress locked in a chapel on the first Christian cemetery in Odessa &#8230; and remembered it only in 1931, when the cemetery was decided to transform the Park of Culture. Remains of an actress, as reported by her relatives, were sent to Moscow &#8230; but along the way lost. </p>
<p> During his career, actress starred, according to various testimonies, or forty, or eighty films. Because of her roles have reached us only five. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-holodnaoy-vera-vasilyevna.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Maya Mikhailovna Plisetskaya Biography</title>
		<link>http://actorsrussian.com/biografiya-pliseckoj-maji-mixajlovny.html</link>
		<comments>http://actorsrussian.com/biografiya-pliseckoj-maji-mixajlovny.html#comments</comments>
		<pubDate>Sun, 23 Jan 2011 05:40:46 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biografiya-pliseckoj-maji-mixajlovny.html</guid>
		<description><![CDATA[Plisetskaya, Maya Mikhailovna (11/20/1925), Soviet ballet dancer, national artist of USSR (1959). In 1943 he graduated from the Moscow Ballet School (teachers Gerdt, Mikhail Leontiev), and was admitted to the Bolshoi Theater. The first major party &#8211; Masha (&#34;The Nutcracker&#34; by Tchaikovsky, 1944). In plastic Plisetskaya dance art reaches a high harmony (&#34;The Dying Swan&#34; [...]]]></description>
			<content:encoded><![CDATA[<table style="margin:0;margin-left:12;margin-bottom:12;" cellpadding="0" width="200" cellspacing="0" border="0" align="right">
<tr>
<td><img src="http://www.biogr.ru/_cacheroot/_cache_0/183_2_200______.jpg" width="200" class=""/></p>
<p><img src="http://www.biogr.ru/img/dot.gif" width="1" height="8" class=""/></p>
</td>
</tr>
</table>
<p> Plisetskaya, Maya Mikhailovna (11/20/1925), Soviet ballet dancer, national artist of USSR (1959). </p>
<p> In 1943 he graduated from the Moscow Ballet School (teachers Gerdt, Mikhail Leontiev), and was admitted to the Bolshoi Theater. </p>
<p> The first major party &#8211; Masha (&quot;The Nutcracker&quot; by Tchaikovsky, 1944). In plastic Plisetskaya dance art reaches a high harmony (&quot;The Dying Swan&quot; to music by Camille Saint-Saens, and others), she found new ways of interpreting the music of Tchaikovsky, Glazunov, Bizet.<span id="more-193"></span> </p>
<p> Artistic individuality Plisetskaya close and lyrical, and the heroic roles: Odette-Odile (&quot;Swan Lake&quot; by Tchaikovsky), Mistress of Copper Mountain (&quot;The Stone Flower&quot; by Prokofiev), Raymonda (Raymonda Glazunov), Kitri (Don Quixote &quot;by Minkus) Aurora (&quot;Sleeping Beauty&quot; by Tchaikovsky), Carmen (&quot;Carmen Suite&quot; to music by Bizet &#8211; Shchedrin), Anna Karenina (Anna Karenina &quot;Shchedrin), etc. </p>
<p> In the dance of Maya Plisetskaya combines the best traditions of Russian culture and innovative choreographic aspirations of the Soviet choreographers. In 1972, together with NI Ryzhenko and VV Smirnov-Golovanov put ballet &quot;Anna Karenina&quot; (by Leo Tolstoy) at the Bolshoi. </p>
<p> She has toured the U.S., Britain, France, Italy, Canada and other countries. Lenin Prize (1964). She was awarded the Order of Lenin and medals. </p>
<p> Lit.: Roslavlev N., Maya Plisetskaya, M., 1968. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biografiya-pliseckoj-maji-mixajlovny.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography Davydov, Vladimir Nikolaevich</title>
		<link>http://actorsrussian.com/biography-davydov-vladimir-nikolaevich.html</link>
		<comments>http://actorsrussian.com/biography-davydov-vladimir-nikolaevich.html#comments</comments>
		<pubDate>Sun, 23 Jan 2011 03:49:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Actors]]></category>
		<category><![CDATA[actor]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-davydov-vladimir-nikolaevich.html</guid>
		<description><![CDATA[Davydov, Vladimir (1847 &#8211; 1925). In the Maly Theatre in 1922 g.Lish at sunset of his life Davydov came to the Maly Theatre, at the theater, which a student, Ivan Nikolaevich Gorelova (this is the real name of a famous actor) made him such a strong impression that the choice of future career for him [...]]]></description>
			<content:encoded><![CDATA[<p>Davydov, Vladimir (1847 &#8211; 1925). In the Maly Theatre in 1922 g.Lish at sunset of his life Davydov came to the Maly Theatre, at the theater, which a student, Ivan Nikolaevich Gorelova (this is the real name of a famous actor) made him such a strong impression that the choice of future career for him was solved yet. Having broken with his family &#8211; his father was a soldier, did not think that his name &quot;came on the scene, turned into a bauble, and fluttered on the fence on the dirty bills&quot; &#8211; Davydov became a provincial actor (1867-1880 years).. His work is associated mainly with the St. Petersburg Theatre of Alexandria, was familiar to Moscow and the theater Korsch, where Davydov created Miser &#8211; Moliere and his famous images of the mayor, Famusov, Rasplyuev, and many latter-day tour. This first-class actor, the essence of his creative method was close to the art of the Maly Theatre. When Petersburgers participated in performances of this troupe, even though it was a juicy, bright and true consumer actor Varlamov, always clearly felt the difference of their &quot;tone&quot; manner of acting, an approach to the role of generally accepted in the Maly Theatre. Davydov was in the basis of their creativity successor of the same school of artistic realism, which is inherent in small theater, so it is well suited to it. Softness imposed their colors, simplicity, and spoke of genius, savings and complex diversity of creativity, simplicity, which was not a single superfluous gesture, not a single artificially exaggerated intonation, extraordinary skill elocution, which precludes all theatrical declamation, alien to the Russian living word, beautiful dialect Russian is a specific feature of this huge master, allowing more than any actors, thc Davydova with Schepkinym.Vmeste so his game was a further development of stage art. Mastery of the external transformation, the force of internal transformation, which he reached the parts, the basic idea, put it in a way, expressive facial expressions (his remarkable visual pause, a deep rich content), mild humor in the depth of true feelings and the charm of the enchanting personality far extraordinary man &#8211; this ground that could not hit all of his speeches at stsene.V Maly he showed Famusov, mayor, Rasplyuev, Kuzovkin (&quot;parasite&quot;), Obroshenova (&quot;Jokers&quot;), Tugouhovskogo (&quot;Woe from Wit&quot;) and &quot;Sailor &quot;(role, which once shook the audience Shchepkin). Game seventy &quot;grandfather&quot;, as everyone called him in the theater, preserves freshness neuvyadaemuyu skill. Davydov has always believed that &quot;everything in the actor&#39;s art should be strictly and precisely designed. In his tales of the past &quot;, he said:&quot; The inspiration, encouragement give wings actor on stage, temperament makes his images lively and persuasive, but only the preparatory work for the premeditated plan provides an opportunity scenic artist in the creative process, in the eyes of the viewer, to strictly control every gesture, every turn, every sound of voices. &quot; This is essentially a shepkinskie tradition derived by OT Samarin, which Davydov considered his teacher, and enabled him, despite their age, always cause a strong reaction in the auditorium. The inherent susceptibility of him alive, the interest in the surrounding reserve and creative forces were retained until the end of his days. </p>
<p> After the October Revolution Davydov &#8211; People&#39;s Artist of the Republic, whose work, always cheerful and vigorous, highly regarded new audience.<span id="more-191"></span> And the name Davydova, went down in history as the great phenomenon of Russian art, a bridge connecting the modern theatrics culture with the pioneer and founder of this culture &#8211; the great Shchepkin. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-davydov-vladimir-nikolaevich.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography Vengerov Afanasievich Seeds</title>
		<link>http://actorsrussian.com/biography-vengerov-afanasievich-seeds.html</link>
		<comments>http://actorsrussian.com/biography-vengerov-afanasievich-seeds.html#comments</comments>
		<pubDate>Fri, 21 Jan 2011 18:09:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-vengerov-afanasievich-seeds.html</guid>
		<description><![CDATA[Semen Vengerov (05 (17) .04.1855 &#8211; 14.9.1920 language), Russian literary historian, bibliographer. Graduated from the Faculty of St. Petersburg University (1879) and external studies of History and Philology of Tartu University (1880). The representative of the cultural-historical school. In the works of &#34;heroic character of Russian literature&#34; (1911), &#34;What is the glamor of Russian Literature [...]]]></description>
			<content:encoded><![CDATA[<p>Semen Vengerov (05 (17) .04.1855 &#8211; 14.9.1920 language), Russian literary historian, bibliographer. Graduated from the Faculty of St. Petersburg University (1879) and external studies of History and Philology of Tartu University (1880). The representative of the cultural-historical school. In the works of &quot;heroic character of Russian literature&quot; (1911), &quot;What is the glamor of Russian Literature of XIX century?&quot; (In 1912) and others Vengerov argued that Russian literature has always been the chair, which was heard my teachers, civil word. Published a monograph on the AV Druzhinin, KS Aksakovo, VG Belinsky, AF Pisemsky, IA Goncharov, Nikolai Gogol, etc. Compiled by &quot;The critical and biographical dictionary of Russian writers and scientists. From the beginning of Russian education to our days &quot;(v. 1-6, 1886-1904),&quot; Sources of the dictionary of Russian writers &quot;(v. 1-4, 1900-17),&quot; Russian books &quot;(Vol. 1-3, 1897 -99), produced the first complete collection of works of Belinsky (completed VS Spiridonov, vols. 12 and 13). In 1891 he edited the literary section Encyclopædia Britannica, Eleventh. Vengerov &#8211; organizer (1917) and the first director of the Russian Book Chamber. Cit.: Sobre. cit., v. 1 &#8211; 3, 5, St. Petersburg, 1911 &#8211; 13, 2 ed., v. 1, 4, P., 1919. Lit.: Polyakov, Proceedings of the professor. SA Vengerov. Bibliographic list, M., 1916; Fomin, AG, SA Vengerov as the organizer and first director of the Russian Book Chamber, L., 1925; Kalentieva AG, Love in literature, M., 1964 </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-vengerov-afanasievich-seeds.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography Kashaev Rustem Maratovich</title>
		<link>http://actorsrussian.com/biography-kashaev-rustem-maratovich.html</link>
		<comments>http://actorsrussian.com/biography-kashaev-rustem-maratovich.html#comments</comments>
		<pubDate>Wed, 19 Jan 2011 19:44:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[academy]]></category>
		<category><![CDATA[culture]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-kashaev-rustem-maratovich.html</guid>
		<description><![CDATA[Kashaev Rustem Maratovich (04/20/1971). Director of the State Academic Folk Dance Ensemble them. F. Gaskarova RB, born April 20, 1971, Ufa. He graduated from the Ufa Aviation Institute, an engineer-economist; BAGSO, manager, 1993-1994 &#8211; Ufa branch of the Moscow Institute of Technology, assistant lecturer in Management, 1994-1997 &#8211; Chief Economist, Chief Specialist, Ministry of Culture [...]]]></description>
			<content:encoded><![CDATA[<p>Kashaev Rustem Maratovich (04/20/1971). Director of the State Academic Folk Dance Ensemble them.<span id="more-599"></span> F. Gaskarova RB, born April 20, 1971, Ufa. </p>
<p> He graduated from the Ufa Aviation Institute, an engineer-economist; BAGSO, manager, 1993-1994 &#8211; Ufa branch of the Moscow Institute of Technology, assistant lecturer in Management, 1994-1997 &#8211; Chief Economist, Chief Specialist, Ministry of Culture of Belarus, 1997-2000 &#8211; was given a class rank &#8211; Advisor to the Civil Service Class 3. </p>
<p> 2000 &#8211; Director of the State Academic Folk Dance Ensemble them. F. Gaskarova. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-kashaev-rustem-maratovich.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography Levitsky Dmitry Grigorievich</title>
		<link>http://actorsrussian.com/biography-levitsky-dmitry-grigorievich.html</link>
		<comments>http://actorsrussian.com/biography-levitsky-dmitry-grigorievich.html#comments</comments>
		<pubDate>Mon, 17 Jan 2011 03:15:48 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[academy]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[theater]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-levitsky-dmitry-grigorievich.html</guid>
		<description><![CDATA[Levitsky Dmitry Grigorievich (1735 &#8211; 04 (16) .04.1822), Russian painter-portraitist. He studied with his father, a Ukrainian engraver GK Levitsky (Nos), and AP Antropov (since 1758). Perhaps, participated with his father in the painting Andrew&#39;s Cathedral in Kiev (1752 &#8211; 1755). Around 1758 he moved to St. Petersburg. 1770 &#8211; early 1780-ies .- heyday of [...]]]></description>
			<content:encoded><![CDATA[<p>Levitsky Dmitry Grigorievich (1735 &#8211; 04 (16) .04.1822), Russian painter-portraitist. He studied with his father, a Ukrainian engraver GK Levitsky (Nos), and AP Antropov (since 1758). Perhaps, participated with his father in the painting Andrew&#39;s Cathedral in Kiev (1752 &#8211; 1755). </p>
<p> Around 1758 he moved to St. Petersburg. 1770 &#8211; early 1780-ies .- heyday of creativity Levitsky. Even the portrait of AF Kokorinova (1769 &#8211; 1770, Eng. Museum, Leningrad), for which the artist received the title of academician, Levitsky stands master parade portrait, seeking effective compositions, intensity and tonal unity of colors, expressive poses and gestures. In this and other works (portraits: NA Sezemova, 1770; PA Demidov, 1773; both &#8211; in the Tretyakov Gal.) General solemnity in the tradition of the late Baroque is often combined with unexpected features of the natural and commonplace; sober vigilance in the view on the model, which runs from the masters of Ukrainian portrait 17 &#8211; 18 centuries. and Antropov, correlates with acute perception of the materiality of accessories. </p>
<p> In a series of formal portraits of the pupils Smolny Inst (ca. 1773 &#8211; 1776, Eng. Museum) Levitsky created a gallery of images of graceful, flirtatious girls, play music, dancing and performing in a pastoral scene. For theatrical masquerade he was able to see the freshness of feeling and good nature.<span id="more-396"></span> This series features a refined decorative colors (with a wealth of interpenetrating golden-yellow, olive-green, pink, black and silver-gray shades) and a known flatness of spaces, the decision is not, however, the bump shapes. </p>
<p> In-depth and variety of individual characteristics, restraint of Arts, of intimate portraits marked Levitsky, they lack the trappings and performed in a free pasty manner that creates a feeling of flesh (Diderot, 1773 &#8211; 1774, Museum of Art Society and History, Geneva, N. Alexander Lvov, 1773 &#8211; 1774, Lit. Museum, Moscow; MA Dzyakova, 1778, a priest, possibly his father, 1779; J. E. Sievers, 1779, all three &#8211; in Tretyakov gal.; IM Dolgoruky , 1782, Kiev Museum of Russian Art). Since the early 1780&#39;s. in creativity Levitsky influence of classicism: the portraits of Ursula Mniszek (1782, Tretyakov gal.) Catherine II (1783, Eng.&#39;s; options 1780-ies. and 1790), the fine nuances replaced local color, grows well-defined volumes, appears smoothed letters. The last portrait (his program was developed NA Lvov) embodies the abstract idea of &quot;wise monarchy&quot; which prevailed in the circle GRDerzhavin to which Levitsky was close. </p>
<p> From 2 nd half of 1780-ies. During the period of increasing dissatisfaction Levitsky rationalist Enlightenment ideals, and his works lose their former integrity and harmony, performance models become more external (portraits: daughter Agasha in Russian. Bunks. Costume, 1785, Tretyakov gal. , VI, and MA Mitrofanov, 1790-ies., Eng. Museum). But in recent years poses a number of highly Levitsky works (portraits: the daughters of AI Vorontsov, ca. 1790, Rus. Museum; unknown to the Sphinx, 1790-ies., Coll. Ghirshman, Paris). After 1800 due to eye disease Levitsky almost did not work. Creative Levitsky &#8211; one of the best expressions of Russian Culture 2 nd half of 18., His teaching activities (in 1771 &#8211; 1787 he led a class portrait of Arts) had a significant influence on the formation of a generation of Russian portrait painters (V. Borovikovsky; students Levitsky &#8211; PS Drozhdin, ED Kamezhenkova, LS Miropolskogo, etc.). </p>
<p> Lit.: (Diaghilev, SP), Russian Painting in XVIII century, v. 1. D. Levitsky, St. Petersburg, 1902, Gershenson-Chegodaeva NM, D. Levitsky, M., 1964. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-levitsky-dmitry-grigorievich.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography of Jawaharlal Nehru</title>
		<link>http://actorsrussian.com/biography-of-jawaharlal-nehru.html</link>
		<comments>http://actorsrussian.com/biography-of-jawaharlal-nehru.html#comments</comments>
		<pubDate>Tue, 11 Jan 2011 10:14:43 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[culture]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-of-jawaharlal-nehru.html</guid>
		<description><![CDATA[Jawaharlal Nehru (14/11/1889 &#8211; 27/05/1964), one of the leaders of the Indian national liberation movement, political leader and statesman of India. Son of Motilal Nehru. In 1905-12 he studied at Harrow and aristocratic school at Cambridge University (UK). During these years, met with the ideas of Indian nationalism. In 1912 joined the Indian National Congress [...]]]></description>
			<content:encoded><![CDATA[<table style="margin:0;margin-left:12;margin-bottom:12;" cellpadding="0" width="200" cellspacing="0" border="0" align="right">
<tr>
<td><img src="http://www.biogr.ru/_cacheroot/_cache_0/189_2_200______.jpg" width="200" class=""/></p>
<p><img src="http://www.biogr.ru/img/dot.gif" width="1" height="8" class=""/></p>
</td>
</tr>
</table>
<p> Jawaharlal Nehru (14/11/1889 &#8211; 27/05/1964), one of the leaders of the Indian national liberation movement, political leader and statesman of India. Son of Motilal Nehru. </p>
<p> In 1905-12 he studied at Harrow and aristocratic school at Cambridge University (UK). During these years, met with the ideas of Indian nationalism.<span id="more-590"></span> In 1912 joined the Indian National Congress (INC). The formation of social and political attitudes of the young Heru influenced B. Tilak and the so-called grouping. extremists in Congress. With the arrival (after 1918) to the leadership of the INC M. Gandhi became the Heru his supporters and closest collaborator. </p>
<p> In 1921, for anti-British agitation in the village was subjected to the first arrest, all in prison was more than 10 years. In 1927 he participated in the Congress of the oppressed nations in Brussels and then worked closely with Congress created this anti-imperialist League. He was familiar with the works of Marx and Lenin. In 1927, together with his father visited the USSR, where he took part in the celebration of 10 anniversary of the October Revolution. Heru highly valued in Lenin, kotopogo called &quot;master of thought and the genius of the revolution&quot; (Nehru J., Glimpses of world history, NY, 1942, p. 638). Heru said that the cause of Lenin lives in the hearts of the workers, encouraging them to fight for a better life. </p>
<p> In the opinion of Heru, the successful national-liberation struggle of the broad-based involvement of the masses must be conducted under the slogan of the future of the profound social transformation of India, the main elements which Heru considered the nationalization of leading economic role of government and planning national economic development, holding feudal agrarian reform and development of agricultural cooperation. Heru seen the future of India in socialism, but the path to it is not discerned through the development of class struggle, and, after Gandhi, a social compromise. </p>
<p> Radical views Heru contributed to his nomination to the end of 1920. the role of one of the leaders of the left wing of Congress. Heru was a member of the core of leadership of the Party, since 1923 has repeatedly been elected Secretary of the Board, then General Secretary of Congress, and in 1929-30, 1936-37, 1946, 1951-54 Heru &#8211; Chairman of the Congress. In 1929 at the Lahore Congress, Congress put forward the program slogan &quot;Purna Swaraj (complete independence), participated in the development of the first economic and social program of Congress, adopted at the Congress in Karachi in 1931. </p>
<p> In 1938 headed the National Planning Komitet (organ INC), developed a program of economic construction in the future of independent India. In 20 &#8211; 30-ies. Heru has repeatedly traveled abroad in India, linking the Indian national movement with anti-imperialist and anti-fascist forces in Western Europe lobbied against fascist aggression in Ethiopia (Abyssinia) and Europe for the Republic of Spain and China&#39;s struggle against Japanese aggression. During the 2-nd World War, 1939-45 lobbied in support of the Soviet Union. </p>
<p> In 1946, Heru entered into the Provisional Government of India as Deputy Prime Minister (Prime Minister believes the Viceroy) and Minister of Foreign Affairs. Supervised inter-Asian conference in New Delhi (1946). Since the founding of independent India (1947) Heru before his death been continuously occupied the post of Prime Minister and Minister of Foreign Affairs. </p>
<p> Since his name is associated with the development and implementation of the basic principles of domestic and foreign policy of the Republic of India, known as &quot;Nehru&quot;. On the initiative of Heru and his direct participation were developed key policy documents, INC., which included in the economic development of the &quot;mixed economy&quot; with the greater increase of the public sector and increase government regulation of the economy. </p>
<p> In 1955 at the Congress of the INC in Avadi on the proposal Heru adopted a program of construction in India &quot;socialist pattern of society&quot;, and in 1959 at the Congress in Nagpur &#8211; program for the completion of agrarian reform and development of various types of agricultural cooperatives. Concern about the growing Indian monopolies, Heru performed, especially in 1963-64, with the limitation of Indian big capital.</p>
<p> As Chairman of the Planning Commission, Heru was directly involved in the drafting of the first three Five Year Plans of India (1951/52-1965/66). Designed and executed under the guidance of Heru measures for economic and socio-cultural construction initiated the restructuring of the colonial-feudal structure of Indian society. </p>
<p> In foreign policy, Heru followed a policy of &quot;positive neutrality&quot;, aimed at the struggle for peace, international cooperation against the threat of war against neocolonialism and racism. He participated in the development of the five principles of interstate relations &#8211; Pancasila, was one of the leaders of the Bandung Conference of 1955. </p>
<p> Heru was for the full development of Sino-Indian relations, friendship and cooperation between the Soviet Union and India, for study and use of the Soviet experience of economic and cultural development. In 1955 and 1961 he visited the Soviet Union. </p>
<p> As political leader and statesman Heru became a recognized national leader and entered history as &quot;the builder of the new India.&quot; He was an original thinker, brilliant orator and publicist, who created the popular big work on the world and Indian history. In the outlook Heru, infused with the values of humanism, reflected the complex and contradictory conditions of history of India in the modern era. </p>
<p> With hours of: (N e hru), The Unity of India, collected writings, 1937 &#8211; 1940, L., 1941; Glimpses of world history, NY, 1942; Independence and after. A collection of speeches. 1946 &#8211; 1949, NY, 1950; J. Nehru&#39;s speeches, 1949 &#8211; 1953, Delhi. 1954; J. Nehru&#39;s speeches, v. 1 &#8211; 5, Delhi, 1957 &#8211; 68; Selected works, v. 1-5, [New Delhi], 1972 &#8211; 73, in Russian. per .- India&#39;s Foreign Policy. Fav. Speeches and statements, 1946 &#8211; 1964, M., 1965, Autobiography, M., 1955, Discovery of India, M., 1955. Lit.: Alignment of Jawaharlal Nehru, M.. 1973. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-of-jawaharlal-nehru.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography of Vincent Van Gogh</title>
		<link>http://actorsrussian.com/biography-of-vincent-van-gogh.html</link>
		<comments>http://actorsrussian.com/biography-of-vincent-van-gogh.html#comments</comments>
		<pubDate>Sat, 08 Jan 2011 16:25:22 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[painter]]></category>
		<category><![CDATA[painting]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-of-vincent-van-gogh.html</guid>
		<description><![CDATA[Van Gogh Vincent (30/03/1853 &#8211; 07/29/1890), Dutch painter. Son of a pastor. In 1869-76 he served commission hudozhestvennotorgovoy firm in The Hague, Brussels, London and Paris, in 1876 &#8211; as a teacher in England. Undertook a study of theology, in 1878-79 was a preacher in Borinazhe (Belgium), where I learned the hard life of miners, [...]]]></description>
			<content:encoded><![CDATA[<p>Van Gogh Vincent (30/03/1853 &#8211; 07/29/1890), Dutch painter. Son of a pastor. In 1869-76 he served commission hudozhestvennotorgovoy firm in The Hague, Brussels, London and Paris, in 1876 &#8211; as a teacher in England. Undertook a study of theology, in 1878-79 was a preacher in Borinazhe (Belgium), where I learned the hard life of miners, the protection of their interests led van Gogh to conflict with church authorities.<span id="more-391"></span> In 1880. Van Gogh turned to art: visiting Arts in Brussels (1880-81) and in Antwerp (1885-86), on the advice of A. Mahouve in The Hague. Van Gogh paints with passion disadvantaged people &#8211; miners Borinazha, and later &#8211; peasants, craftsmen, fishermen, whose life he observed in the Netherlands in 1881-85. At the age of 30 van Gogh began to paint and create an extensive series of paintings and sketches, done in dark, somber tones and permeated with warm sympathy for ordinary people (&quot;Peasant Woman&quot;, 1885, instantly. Kröller-Müller Museum, Otterlo, &quot;The Potato Eaters , 1885, Fund V. van Gogh, Amsterdam,). Building on the tradition of critical realism 19. Above all creativity JF Millet, van Gogh joined them with emotional and psychological tensions of images, painful sensitivity to the suffering and oppression of people. In 1886-88, while living in Paris, van Gogh visiting a private studio, while he studied plein air painting of the Impressionists and Japanese prints, attached to the quest A. de Toulouse-Lautrec, P. Gauguin. During this period, a dark palette gradually gave way to the glittering clear blue, golden yellow and red tones, freer and more dynamic became smear (&quot;Bridge over the Seine,&quot; 1887, V. van Gogh Foundation, Amsterdam; &quot;Portrait of Pere Tanguy, 1887, Rodin Museum, Paris). Moving van Gogh in Arles in 1888 opened a period of his maturity. Here it is determined the peculiar character picturesque manner the artist who expressed his attitude to the world and their emotional state, using a combination of contrasting colors and a free pasty smear. A burning feeling, the painful impulse to harmony, beauty, happiness and fear of hostile human forces are embodied in a landscape, radiant joy, sun paints the South (&quot;Harvest. Valley of La Crau&quot;, &quot;Fishing Boats at Sainte-Marie, the two- 1888, Fund V. van Gogh, Amsterdam), the sinister images of the frightening world where man overwhelmed by loneliness and helplessness (&quot;Night Cafe&quot;, 1888, private collection, New York). The dynamics of color and long, winding stroke fills the spiritual life and movement, not only nature and its people (&quot;The Red Vineyard&quot;, 1888, the Museum depict Arts. Pushkin, Moscow), but also every inanimate object (&quot; Van Gogh&#39;s Bedroom at Arles, 1888, Fund V. van Gogh, Amsterdam). The hard work of van Gogh&#39;s last years of his life was complicated by bouts of mental illness, which led the artist to the tragic conflict with Gauguin, and arrived in Arles, van Gogh goes to the hospital in Arles, then at Saint-Remy (1889-90) and the Over- sur-Oise (1890), which commits suicide. Creation of the last two years of his life van Gogh noted ecstatic obsession, extremely heightened expression of color combinations, rhythm and texture, mood swings &#8211; from the frenzy of despair (&quot;The Gates of Eternity&quot;, 1890, State. Kröller-Müller Museum, Otterlo) and mad visionary impulses (The road with cypresses and the stars &quot;, 1890, ibid) to the anxious feeling of enlightenment and calm (&quot; Landscape in Auvers after the Rain &quot;, 1890). Creativity van Gogh reflected a complex and crucial moment in the history of European culture. It is permeated with ardent love for life, to a simple working man. However, it has expressed with great sincerity, the crisis of bourgeois humanism and realism 19., Painfully agonizing search for spiritual and moral values. Hence the special creative obsession van Gogh, his impulsive expression and tragic. pathos, they defined a special place VG in the art post-impressionism, one of the main representatives of which he became. Cit. : Letters, per. of Gall., L. &#8211; M., 1966. Lit.: [Nowak L.], Van Gogh, [Prague, 1961]; FailleJ. -B. de, VincentvanGogh, P., 1939; WeisbachW., VincentvanGogh, Bd 1-2, Basel, 1949-51. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-of-vincent-van-gogh.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography of Friedrich Wilhelm von Humboldt</title>
		<link>http://actorsrussian.com/biography-of-friedrich-wilhelm-von-humboldt.html</link>
		<comments>http://actorsrussian.com/biography-of-friedrich-wilhelm-von-humboldt.html#comments</comments>
		<pubDate>Fri, 07 Jan 2011 12:13:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-of-friedrich-wilhelm-von-humboldt.html</guid>
		<description><![CDATA[Friedrich Wilhelm von Humboldt (1767 &#8211; 1835) &#8211; the famous linguist and a Prussian politician, elder brother of Alexander von Humboldt. Frankfurt (Oder) and University of Göttingen thoroughly studied law, politics and history. Devoted to science, he, however, with rapt attention watching the movement in the spheres of political, social and literary. In 1789 he, [...]]]></description>
			<content:encoded><![CDATA[<p>Friedrich Wilhelm von Humboldt (1767 &#8211; 1835) &#8211; the famous linguist and a Prussian politician, elder brother of Alexander von Humboldt. </p>
<p> Frankfurt (Oder) and University of Göttingen thoroughly studied law, politics and history.<span id="more-586"></span> Devoted to science, he, however, with rapt attention watching the movement in the spheres of political, social and literary. </p>
<p> In 1789 he, along with their teacher, the famous Campo, traveled to Paris, to attend the funeral of French despotism. &quot; Later, he responded to a question posed then the history of mutual relations between the state and person, in the book &quot;Ideen zu einern Versuch, die Grenzen der Wirksamkeit des Staats zu bestimmen&quot;. </p>
<p> He is the champion here for complete individual freedom and restricts the role of government concern about external security. This book is so at odds with traditional notions that censorship did not permit its publication, and it appeared in print only in 1851 </p>
<p> Even more than the political issues that interest him new directions in literature, and philosophy. Already in 1790 in Weimar he started strong, never broke with Schiller, and later established friendly relations between him and the Goethe. And so, with another Humboldt was in active correspondence, which was published under the title: &quot;Briefwechsel zwischen Schiller und W. v. H.&quot; (Stuttgart, 1876) and &quot;Goethes Briefwechsel mit den Gebruedern von H., 1795 &#8211; 1832&quot; (Lpts., 1876). </p>
<p> Early in the acquisition of reputation universally educated person made him a prominent member of the literary salons of the time. It appears that in Berlin, in a circle of Henriette Herz, Rachel Levin and others, in Erfurt and Weimar, then in Jena (1794 &#8211; 97), in constant contact with the circle of Schiller. </p>
<p> Since then, he married (1791) at Dahereden Carolina, his house became one of the most brilliant salons, where all that was in Europe, smart, talented and famous. The wife of Humboldt was one of the most enlightened and most intelligent women of her time and provided the greatest assistance to her husband even in his scholarly work. And in philosophical circles Humboldt had extensive contacts with especially close he was to the Kantian Jacobi. </p>
<p> Store your observations and experiences Humboldt found its not only from books and living communion with luminaries of the spiritual culture, but also from travel. He was often in France, Switzerland and Spain, and quite long lived in Rome. Very remarkable his work on various branches of classical philology, and especially a completely new way while still comparative linguistics. </p>
<p> Especially important are his studies on the language of the Spanish Basque country (&quot;Prufung der Untersuchungen uber dieUrbewohner Hispaniens, vermittelst der baskischen Sprache&quot;, etc.) and language of the inhabitants of Java (&quot;Ueber die Kawisprache auf der Insel Java&quot;). In these papers, Humboldt is not limited to the dry study of the material: he always tried to philosophical generalizations. </p>
<p> From that point of view is especially remarkable article that serves as an introduction to the study of the Javanese (&quot;Ueber die Verschiedenheit des menschilchen Sprachbaues und ihren Einfluss auf die geistige Entwickelung des Menschengeschlechts&quot;). When, after the defeat of Jena, in Prussia felt the need for fresh forces and energetic leader for the field of both domestic and foreign policy, between the new people moved and Humboldt, from 1808 to 1819, he held important posts. </p>
<p> For the first time more or less prominent position in the service Humboldt received another in 1802, being appointed a resident at the papal court. Reluctantly, he left this post interesting for him to take the Ministry gr. Don position of director of the Department of Education and creeds. Under his influence and leadership is based Berlin University (1810), and he called to his aid such large force, as Fichte, Schleiermacher Niebuhr, Fr. Wolf and others </p>
<p> Without waiting for the opening of the University of Humboldt, who had a lot of envy in the capital, suddenly left Berlin and went further in his diplomatic career, having ambassadorial post in Vienna, where he began to work towards an alliance between Austria and Prussia against France. He is a representative of Prussia at the Prague Congress (1813), failure of which he was happy as a zealous patriot, admits of no deals with Napoleon. </p>
<p> In 1814He, along with Hardenberg, his personal enemy, represented Prussia in Paris, and then the same role with the same companion sang at the Vienna Congress, and was an ardent supporter of the unification of Germany. In 1817, he was trying to become ambassador in Paris, the court, but his nomination was withdrawn at the insistence of Louis XVIII century. As Humboldt was too bright representative of the party hostile to France. </p>
<p> In domestic policy, he firmly held to the principles of a well-known converter of Prussia, Stein&#39;s why a clever and influential Hardenberg tried to keep away from Berlin&#39;s Humboldt and not give him any significant position of public administration. </p>
<p> In 1819, Humboldt was made champion constitutional in Prussia, and he was able to be appointed to carry out this reform, Minister of Interior. But soon, thanks to Carlsbad regulations, policies Prussia has undoubtedly reactionary trend, against which Humboldt is useless to protest, Hardenberg armed against Humboldt, and he, having been Minister for 4 months and nothing having to do has been dismissed. Then again, in 1823, his friends tried to hold him to the post of first minister, but at Humboldt in the ruling circles were few supporters of a man is definitely liberal. </p>
<p> He refused the proposed pensions, forever joined practical politics until his death (1835) has lived without a break in his hereditary castle Tegel (near Berlin), in-depth in their favorite activities. His collected works was published in Berlin in 1841 &#8211; 52 years. </p>
<p> For his performance as a man, a very important addition to the said correspondence with Schiller and Goethe, published his letters to Charlotte Dide (&quot;W. v. Hs Briefe an eine Freundin&quot;) and Kerner (&quot;Briefe an Chr. Gottfr. Korner&quot; ). </p>
<p> The main work of the identity and significance of Humboldt &#8211; book Haym (Knauth, &quot;W. at. N.&quot; Berl., 1856). Public and full biorpafiya Humboldt attached to the book by Elisa Meyer (Elisa Maier, &quot;W. v. H. Lichtstrahlen ans seinen Briefen&quot;) </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-of-friedrich-wilhelm-von-humboldt.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Biography of Oswald Spengler</title>
		<link>http://actorsrussian.com/biography-of-oswald-spengler.html</link>
		<comments>http://actorsrussian.com/biography-of-oswald-spengler.html#comments</comments>
		<pubDate>Thu, 06 Jan 2011 08:14:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Education]]></category>
		<category><![CDATA[Arts]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://actorsrussian.com/biography-of-oswald-spengler.html</guid>
		<description><![CDATA[Oswald Spengler (Spengler) (29.05.1880 &#8211; 08.05.1936), German idealist philosopher, the representative of the philosophy of life. He was born in Blankenburg, Harz. He became known after the sensational success of his chief work &#34;Decline of the West&#34; (&#34;Der Untergang des Abendlandes&#34;, Bd 1-2, 1918-22, Russian. Per., V. 1, 1923). In the 20-ies. served as a [...]]]></description>
			<content:encoded><![CDATA[<p>Oswald Spengler (Spengler) (29.05.1880 &#8211; 08.05.1936), German idealist philosopher, the representative of the philosophy of life. He was born in Blankenburg, Harz. He became known after the sensational success of his chief work &quot;Decline of the West&quot; (&quot;Der Untergang des Abendlandes&quot;, Bd 1-2, 1918-22, Russian. Per., V. 1, 1923). In the 20-ies. served as a publicist, a conservative-nationalist trend, close to fascism, but in 1933 rejected a proposal to the Nazi cooperation. Hitler&#39;s regime subjected Spengler boycott, did not prevent the Nazi ideology extensive use of Spengler, turning them into an instrument of demagoguery. Decisive influence on Spengler&#39;s philosophy of Friedrich Nietzsche has had. Spengler comes from the notion of organic life, has undergone an unlimited expansion. Culture is treated as an &quot;organism&quot; which, first, has the toughest cutting unity and, secondly, is separated from the others like him &quot;organisms&quot;. This means that there is no single, universal culture and can not be, the idea of rectilinear progress subjected to ridicule. Spengler has 8 cultures: Egyptian, Indian, Babylonian, Chinese, apollonovskaya (Greco-Roman), &quot;magic&quot; (Byzantine-Arab), &quot;Faustian&quot; (Western European) and Mayan culture; expected birth of the Russian-Siberian culture. Each cultural &quot;body&quot;, according to Spengler, pre-measured out a certain (approx. Millennium), a term that depends on the internal life cycle. Dying, the culture turns into a civilization. Civilization, as opposed to culture is, on the one hand, the equivalent concepts shpenglerovskih dead &#39;length&#39; callous &#39;intelligence&#39;, on the other &#8211; is in the context of going back to Nietzsche&#39;s concepts of &quot;mass society&quot;. Moving from a culture of civilization is the transition from art to infertility, from the formation of ossification of the heroic &quot;deeds&quot; to the mechanical &quot;work&quot;, for the Greco-Roman culture, it took place in the Hellenistic era, and the Western world &#8211; in 19. With the advent of civilization and artistic and literary creativity is supposed to be unnecessary; so Spengler proposes to deny the cultural claims and indulge in a naked technicism. Recognizing the futility of imperialist politicking, Spengler calls to take it as &quot;fate&quot; of the present and future generations. Style of a Spengler is built on operating with the deployed metaphors, and metaphorical words convergence is often a substitute for the logic of concepts. </p>
<p> Cit.: Der Mensch und die Technik. Beitrag zu einer Philosophic des Lebens, Munch., 1931; Reden und Aufsatze, [3 Aufl.l, Munch., [1951]; Urfragen. Fragmente aus dem Nachlass, Munch., 1965, in Russian. per .- Philosophy future, Ivanovo 1922; Prussianism and socialism, P., 1922; pessimism it?, M., 1922. Lit.: V. Lazarev, H., Oswald Spengler and his views on art, M., 1922, Oswald Spengler and the decline in Europe, M., 1922, Davydov, Yu H., Art and the elite, M., 1966, . 251 &#8211; 77; Averintsev S., &quot;Morphology of culture&quot; O. Spengler, &quot;Problems of Literature&quot;, 1968, № 1, Asmus, VF, Marx and bourgeois historicism, in his book.: Fav. Sc. Proceedings, v. 2, M., 1,971; Hughes HS, Oswald Spengler. A critical estimate, NY, [1962]; Spengler-Studien. Festfabe fur M. Schroter zum 85. Geburtstag, rsg. v. AM Koktanek, Munch., 1965. </p>
]]></content:encoded>
			<wfw:commentRss>http://actorsrussian.com/biography-of-oswald-spengler.html/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

